#Vivaldi variation code#

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#Vivaldi variation code#

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Simply enter the code SCORE in the Promo Code field on the shopping cart page and click Apply to receive your discount. WeвЂ™re also delighted that this uplifting piece will feature on our 2023 release, having been recorded a few weeks ago at Abbey Road Studio 2.Get 10% off orders of $20 or more, 15% off orders of $40 or more, and 20% off orders of $100 or more! You can get a sense of this in the performance and dance video below: itвЂ™s the closing section of вЂWhite StorksвЂ™ filmed at Knepp Castle for its socially distanced online premiere during the depths of lockdown. While вЂWhite StorksвЂ™ is undoubtedly exquisite in its sound and what it depicts, itвЂ™s also a vitally important piece displaying a type of interconnection with the very life that grows trees and connects people through the expression of music. Then, a sense of joy and positivity towards the future is suspended in the final section of вЂWhite StorksвЂ™. The fragility of the environment and the beauty of the large-winged flight are also caught elsewhere in the bowing, with simple pulsating up and down bows in natural time with the movement of winged flight. Helen illustrates the birds brilliantly: she captures the White StorksвЂ™ вЂbill clappingвЂ™ using a new violin technique, that of using the bow nut to delicately tap the violin bridge or chin rest. This beautiful piece musically illustrates the birdsвЂ™ spiralling and gliding flight, and joyfully nods towards the recovery of our natural world while also capturing the fragile balance of our diverse environment. Helen OttawayвЂ™s вЂWhite StorksвЂ™ was commissioned by the Bernardi Music Group in lockdown to celebrate the rewilding of these fabulous birds which have been re-introduced for the first time since medieval times by Sir Charles and Lady Issy Burrell at Knepp Estate, the EU leader for Wilding. Read: The Fulton collection: Magnificent obsession Read: The вЂAmici BernardiвЂ™ Stradivari sitting at the heart of West SussexвЂ™s cultural life Listen to a performance of вЂ™ToccataвЂ™ by the Bernardi Music Group, recorded at the resting place of John Ireland in Shipley Church, West Sussex: Several of our supporters feel that exhilaration when hearing вЂToccataвЂ™, in addition to appreciating the fact that the composer was inspired to write the piece by the very countryside we perform in. It is steeped in the culture of the area: the excitement of the fast notes is reminiscent of a well-controlled podium finish in a classic motor race nearby at Goodwood House in Sussex. This movement has become a favourite amongst the community that we have gathered together as Festival Friends, and we have even recorded it live in the church. John Ireland rests in St MaryвЂ™s parish church where we worship, and which is also the spiritual centre of the Shipley Arts Festival as it was our first concert venue.

The piece was written for the Boyd Neel Orchestra, whose entire library was kept safely in a Sussex barn throughout the Second World War. Like many composers, John Ireland was amongst the many to have been inspired by Sussex: John Ireland brilliantly captures the countryside in вЂToccataвЂ™ and other works including вЂAmberley Wild BrooksвЂ™. This exciting final movement of the Concertino Pastorale shares my journey from where I grew up in Kent (Toccata was premiered at the Canterbury Festival in 1939) to Sussex. John Ireland вЂ™ s вЂ Toccata вЂ™ in the вЂConcertino PastoraleвЂ™

I very much enjoy the sense of unity which brings together the whole sonata as one, just as I enjoy the themes of another great inspiration: ElgarвЂ™s first symphony, which took me on tour to the Royal Festival Hall, and Brazil as a teenager.Дў. I particularly like the way in which the beautiful movements link into one with rich, stretching melodies, and I have always enjoyed colouring the beautiful sounds when playing the work on the Bernardi Music GroupвЂ™s 1696 Stradivari violin. The Sonata, described perfectly by Elgar as вЂfull of golden soundsвЂ™, has been much recorded, though the accounts of the work by my two teachers and influencers, Lord Yehudi Menuhin and Hugh Bean CBE, are among the finest recordings out there. The Violin Sonata, for which Elgar turned to the London Symphony OrchestraвЂ™s leader Billy Read to get technical advice on, is one of ElgarвЂ™s finest works, and reflects the beauty and nature that surrounded Elgar and abounds in the UKвЂ™s most wooded county. Sir Edward Elgar wrote this masterwork at his home of Brinkwells Cottage in Fittleworth, West Sussex, well regarded as a beautiful part of Sussex.